Attitude's main line-up was as follows:
Production and editing by E_B_A
Lyrics - E_B_A, Void (Statik), Cube-B, Speed (Larry)
Drums - Jerry (Animal), Void, Corky, Speed
Drum Machine - E_B_A and Void
Guitar - Void, Speed, Ken-Dawg
Scratching - E_B_A (DJ Early Bird)
Sampling - E_B_A, Void Bass - Void, Philthy (Phil)
Keyboards - Void, E_B_A, Philthy, Cube-B, Speed

All of Void's work is his but the finished product was mixed down by me.

Gracewood:
Lyrics by E_B_A, Cube-B and Void
Production and scratching by E_B_A
Live instruments by Void
Keyboards by E_B_A and Cube-B.

Raw Nation:
Lyrics by DJ Richie Rich, E_B_A, Void and Smooth-J.
Almost all production was by DJ Richie Rich but some was E_B_A and all final mix-downs and editing was E_B_A.
Drum programs, keyboards and whatnot were all four of us. Moreso Richie Rich and E_B_A.
Scratches were mostly E_B_A on the bulk of the tracks but Richie Rich did many and so did Smooth-J. If it's good, it's probably one of them and not me.



It's worth pointing out that these are probably the best years of my life.

Chuck moved from family member to family member and always had a band room to play in and we recorded too much music for me to count (although the quick check I just did showed almost 900 songs that I was able to recover if that gives you any idea).

The best band room was at his father's house under their garage in the concrete bunker where we had our own couch, comfy chairs, lots of room and could be really loud with thick concrete walls and being below ground to muffle the noise.

In the next room was his step-mother's hair salon and we would hang out between songs sometimes and play with her beauty supplies.

It was more interesting at Jone's Creek which has a golf course, where his grandparents would leave for the day and we'd have the house to ourselves. Our room was on the corner of the house upstairs, facing the golf course. We'd be up there rocking out and golfers would call the cops, who would show up, tell us they'd been called, inform us that since the neighbors hadn't complained (and the neighbors never complained) they weren't going to do anything and we'd go back to playing our loud music.

Sometimes, we'd watch them tee up, then make as much noise as possible on that swing, just to fuck with them after all the noise complaints.

Another time, Cube and Jerry were dancing as I sang the lyrics to "Rapper's Delight" and as they always did for some reason that I never really understood but I still put up with, Cube would pretend to buttfuck whoever he was near. Jerry having the same lack of shame Cube did, dropped his pants and draws at the window, and Cube did the same, and the two of them pretended to have anal sex in the window while the rest of us left the room to vomit.

Unbeknownst to us, in the street below, a large family with a foreign exchange student was playing softball and saw the entire thing, leading to a strange complaint to Chuck's grandmother in what is likely one of the most awkward moments of his life. I mean, how do you explain that your friends are not really having gay sex in the upstairs picture window in front of the whole neighborhood to a woman who plays piano for her church?

Another thing we did during band recording sessions was hide. Not in typical hide-n-seek fashion but just run off and hide, without telling anyone, and eventually, it would devolve into everyone wandering off to find everyone else.

This led to an incident, again with Cube, where he snuck into the attic and, not realizing the insulation segments had nothing but soft, pliable drywall between them and room below, fell right through the ceiling, landing in the guest bedroom with a thud on the floor, not really hurting anything but his pride and that nice ceiling.

We were in trouble at the time, but this later became a running-gag with us: "Here's a little story that might sound appealing / about the time Cube went cold through the ceiling / I guess he couldn't see he was blind as a bat / how 'bout it Cube? I ain't do dat! I ain't do dat!"

4-Track Tapes

Attitude - 3 1.5 Mb
Attitude - Adjustment 1.0 3.6 Mb
Attitude - Adjustment 3.0 3.4 Mb
Attitude - As the Music Kills You 3.0 Mb
Attitude - Attitude Problem 2.2 Mb
Attitude - Augusta Streets 3.7 Mb
Attitude - Ballad of a Psychopath 4.8 Mb
Attitude - Bass Face 1.4 Mb
Attitude - Boom 1.2 Mb
Attitude - Boss Statik 2.8 Mb
Attitude - Bragadocia 4.8 Mb
Attitude - Brigade 2.0 Mb
Attitude - Cannonball/Stank so Bad 2.1 Mb
Attitude - Christian Destiny 8.4 Mb
Attitude - Come Unto Me 5.5 Mb
Attitude - Cricket Lady Full Version 3.3 Mb
Attitude - Cricket Lady 3.7 Mb
Attitude - Crushed Again 2.9 Mb
Attitude - Dead End 3.7 Mb
Attitude - Demolition 3.4 Mb
Attitude - E Snaps 1.9 Mb
Attitude - E.M.T. 229 Kb
Attitude - Fat Honkers, Wet Cats and Closer 461 Kb
Attitude - Funky Butt Hash 3.4 Mb
Attitude - Grunny's Farm 2.1 Mb
Attitude - Household Scum for Children 1.4 Mb
Attitude - How Funky 6.6 Mb
Attitude - How Funky (Remix) 4.7 Mb
Attitude - Instigator 1.8 Mb
Attitude - Jam with no Bread 5.1 Mb
Attitude - Klan Killer 3.7 Mb
Attitude/Lala Lulu/My Girlfriend - F.U.B.A.R. 4.8 Mb
Attitude - Lose Dixie 4.1 Mb
Attitude - Lots of Swine 894k
Attitude - Man in MoMotion 5.0 Mb
Attitude - Maniax on the Loose 2.8 Mb
Attitude - Musical Violence 2.2 Mb
Attitude - Notsizm 5.6 Mb
Attitude - Oh Holy Night 2.8 Mb
Attitude - Old School Style (Extended Electronic Version) 4.5 Mb
Attitude - Old School Style 1.1 Mb
Attitude - Peace - Anarchy - Peace 2.7 Mb
Attitude - Pizza Psycho 428 Kb
Attitude - Psycho Love Song 2.6 Mb
Attitude - Recording Session 4 2.5 Mb
Attitude - Shut the Fuck Up 647 Kb
Attitude - Snoop Kunta Dawg - Whatta Gat 2.2 Mb
Attitude - Suckas 6.0 2.7 Mb
Attitude - Suicide 2.1 Mb
Attitude - That's Bull 3.1 Mb
Attitude - The Darkest Whites 14.9 Mb
Attitude - The Naked Booty Song 267 Kb
Attitude - The Taughtcha Chamber 4.1 Mb
Attitude - The Taughtcha Chamber; 2.2 Mb
Attitude - Under the Gun 5.7 Mb
Attitude - Unkel Remicks Theme 8.9 Mb
Attitude - V.O.S 1.8 Mb
Attitude - Violence is Everywhere 4.5 Mb
Attitude - Violent Crew 2.0 Mb
Attitude - Whoo 2.3 Mb
Attitude - Why Ya Wanna do Dat Foe 3.5 Mb
Attitude - Yance is Dead 2.3 Mb
Attitude - to Darkness... Remix 1 5.0 Mb
Attitude - to Darkness... 4.6 Mb

E_B_A - A Few Facts 5.3 Mb
E_B_A - A Whole Other World Remix 6.3 Mb
E_B_A - A Whole Other World 5.0 Mb
E_B_A - Afraid of 6.2 Mb
E_B_A - Age 5 155 Kb
E_B_A - Alien Prey 3.6 Mb
E_B_A - Altered Stattes 5.8 Mb
E_B_A - Attack of the Electric Scratch Monsters 5.4 Mb
E_B_A - Audio Discontent Diary 1.5 Mb
E_B_A - Blue Vapors 5.1 Mb
E_B_A - Bragadocia 1.1 Mb
E_B_A - Brain Damage Part 2 4.7 Mb
E_B_A - Breath 4.6 Mb
E_B_A - Chamber of Retribution 4.1 Mb
E_B_A - Come Clean 6.2 Mb
E_B_A - Contaminated Prometheus 3.0 Mb
E_B_A - Counting by Two 2.9 Mb
E_B_A - Critical Beat Table Turns 3.5 Mb
E_B_A - Cruisin' (The Big Creep) 5.5 Mb
E_B_A - Da Dah Da Dah Dah Dah 1.9 Mb
E_B_A - Danger 3.9 Mb
E_B_A - Degeneration 5.3 Mb
E_B_A - Dela Morte 3.8 Mb
E_B_A - Demented Deejay 2.9 Mb
E_B_A - Divine Light 3.9 Mb
E_B_A - Drop Gems 4.3M
E_B_A - Excess Lyrics 5.5 Mb
E_B_A - Fall Down 3.9 Mb
E_B_A - Falling Down 3.0 Mb
E_B_A - Filthy Animal 1.5 Mb
E_B_A - Freestyle 5.7 Mb
E_B_A - Gothos 4.9 Mb
E_B_A - Heido Ho 5.0 Mb
E_B_A - Hip Hop Hell 49.9 Mb
E_B_A - Homemade Explosive Device 2.7 Mb
E_B_A - Hurt 5.7 Mb
E_B_A - Hypnotic Baptism 4.8 Mb
E_B_A - Hypochondriacs 4.5 Mb
E_B_A - I Can Feel It 3.7 Mb
E_B_A - Inhumanity 5.3 Mb
E_B_A - Lamentia 4.4 Mb
E_B_A - Last Days 3.1 Mb
E_B_A - Love's Young Nightmare 637 Kb
E_B_A - Lyrics, Beats, Rhymes, Cuts 3.1 Mb
E_B_A - Malarkie 2.2 Mb
E_B_A - Master of the Universe 3.3 Mb
E_B_A - Meet Your Maker 4.4 Mb
E_B_A - Movements 2.8 Mb
E_B_A - No Mo Rainbows 5.3 Mb
E_B_A - No One Left 4.2 Mb
E_B_A - Old School Fool 7.1 Mb
E_B_A - Past the Silver Lining 5.6 Mb
E_B_A - Prepare to Die 4.5 Mb
E_B_A - Put it in Reverse 3.1 Mb
E_B_A - Real Cops 3.1 Mb
E_B_A - Regeneration .3 Mb
E_B_A - Retribution 4.0 Mb
E_B_A - Sick World 6.5 Mb
E_B_A - Sinister Forces Amassing 2.7 Mb
E_B_A - Sleep (You Will Never Know) 3.4 Mb
E_B_A - Somehow Someway 5.4 Mb
E_B_A - Sucking Me Softly 3.9 Mb
E_B_A - The Chase ((Wrong Weapon, Wrong War) 3.8 Mb
E_B_A - The Dark Side of Hip Hop 3.5 Mb
E_B_A - The Explosion 845 Kb
E_B_A - The Final Hour 5.7 Mb
E_B_A - The Hands of a Stranger 4.0 Mb
E_B_A - The Hate That Hate Produced 6.6 Mb
E_B_A - The Kingdom 2.9 Mb
E_B_A - The Life of the Mind 6.2 Mb
E_B_A - The Retribution 5.2 Mb
E_B_A - The Up Mix 4.0 Mb
E_B_A - This Song is Dirty 6.7 Mb
E_B_A - Tyler and the Creepy Beat 2.2 Mb
E_B_A - Welcome Home 6.0 Mb
E_B_A - What I'm Not 7.5 Mb
E_B_A - What Time is it 2.5 Mb
E_B_A - What's Happening to Me 4.0 Mb
E_B_A - What's Wrong With You 5.3 Mb
E_B_A - Wooden Pendulum 1.0 4.6 Mb
E_B_A - Wooden Pendulum 2.0 3.9 Mb
E_B_A - Your Left Fist 4.5 Mb

Final Darkness - Strapped Inside 4.1 Mb

Gracewood - A to the K to the Forehead 3.3 Mb
Gracewood - Raise Up 4.3 Mb
Gracewood - Theme from Gracewood 3.4 Mb

Ken Dawg - Solo 1.2 Mb

Raw Nation - Get Busy Outake 171 Kb
Raw Nation - How Funky 12.5 Mb
Raw Nation - Lala Lala 2.0 Mb
Raw Nation - Our Song 6.4 Mb
Raw Nation - Real Good 6.7 Mb
Raw Nation - Strange Noises 3.9 Mb
Raw Nation - The Final Beat 1.0 Mb

Vxid - Christian Death 2.0 3.6 Mb
Vxid - Christian Death 3.0 4.3 Mb
Vxid - Cobra Twisting on C.B. Radio 1.0 Mb
Vxid - Conquest 6.4 Mb
Vxid - Dead 1.0 6.2 Mb
Vxid - From Within 4.9 Mb
Vxid - Guita 3.7 Mb
Vxid - Hurt Like Me 2.0 3.7 Mb
Vxid - Hurt Like Me 1.0 4.4 Mb
Vxid - Hurt Somebody 3.9
Vxid - Morning Sun 3.2 Mb
Vxid - My Girlfriend 2.1 Mb
Vxid - No Brane 2.4 Mb
Vxid - Nothing 2.8 Mb
Vxid - One Hit 3.0 Mb
Vxid - Onslaught 2.4 Mb
Vxid - Taint 4.6 Mb
Vxid - Void 4.2 Mb
Vxid - Where's Fluffy - What Are You Doing 471 Kb

Youth @ Risk - Grunny's Farm 7.1 Mb
Youth @ Risk - Lights Out 1.0 Mb
I make a great deal of music.

This started back in 1987 when I was very young. As a kid, I was fascinated with how a person could record their voice and manipulate it. I made my own fake humor shows with my lame grade-school age jokes and poorly-conceived voices and characters and often talked about politics and things I didn't even grasp simply because that's what the adult comedy shows did.

I can't sing to save my life. That's the rest of the family. My sister and Aunt both play piano. Everyone can sing quite well, never professionaly but better than average. But I can't sing at all. I rarely even get on key. It's embaressing.

Around 1988, not long after I moved to Georgia, I began to pay closer attention to the music I'd been breakdancing to. You have to understand that coming from Suburban Ohio, one of the whitest places in the world, Rap and Hip Hop were totally unknown to me in their pure forms. I was a terrible breakdancer but I'd never really noticed the music in any detail before until a friend handed me a dub of "Raising Hell" by Run DMC and "License to Ill" by the Beastie Boys.

In Augusta, Georgia, everyone, and I do mean EVERYONE my age listened to the Beastie Boys then and knew many songs by heart and if you put that on, people would break out singing along... "Brass monkey! Monkey! Monkey! Monkey! That funky monkey! Monkey! Monkey! Monkey!" My same friend also had this collection of greatest rap hits, and they weren't the electronic skating rink jams I was used to like Freestyle's "It's Automatic." This was full of trash-talking and bragging and disses to Roxanne and who could beatbox better or scratch faster.

Coming from a Christian background, especially, a Christian Rock background with Abba, The Carpenters, The Moody Blues and their ilk being the only secular music I was exposed to outside what my friends would play, hip hop was new, fresh and exciting. Plus what could piss my parents off more than listening to the music of inner-city African American culture?

Around the same time, I met a guy named Chuck who liked some hip hop but more rock. Me being from a rock background but totally, by that point, immersed in hip hop, was the polar opposite. Chuck played drums, guitar, bass and keyboard. Our neighbor, Dan, played drums too so we decided to form my first band (Chuck's second) and we recorded a few songs that were mostly Allan Sherman-styled parodies of rap songs with a rock twist. Chuck played guitar, Dan drummed, and I would switch between doing the lyrics and scratching the 1950's in-a-case library-style turntables we had with no mixer.

We were terrible, and I sort of consider it a fortunate thing that I have never found a tape of us to show for it all.

Later, we broke up when Dan moved away and Chuck and I reconnected as "Attitude," recording songs out of his bedroom using the cheesy drum patterns in his keyboard or sometimes he would bang his snare and hi-hat (I don't think he had a kick drum at the time) and play guitar and keyboard.

Thanks to our mutual love of hip hop and rock and since "Raising Hell" and "License to Ill" featured so much of the rap-rock hybrid that is passe these days, we wanted to do that ourselves. I dubbed the style "Fusion" and our songs were a strange brew of scratch-happy braggadocious lyracism influenced heavily by the horror films we watched all day, our conservative, Christian backgrounds and just being white kids from middle-class suburbs.
Again, we were terrible, and our corny name nonewithstanding (as Jello Biafra said, "Why... would you be the umpteenth person to name your band 'Bad Attitude!?"), we probably might not have gone anywhere if it weren't for the cast of characters that would later join us.

I met Larry in High School and Craig through church of all places.

Larry and Craig met at my house and I brought them both over to Chuck's for our first band practice. At the time, Craig had been rhyming for years and with his criminal record, love for everything Ice Cube and intensity, I felt he would be an excellent addition.

I don't recall what Larry was originally going to do but I ended up writing lyrics for both of them under the group name "C.N.S." or "Cube and Speed." Craig's identity as "Cube-B" is still notorious today. More about him later.

The other member to make an impression was Jerry, who was Chuck's uncle, but a few years younger. Jerry already played drums for Colorblind, Chuck's other band. Colorblind was a punk band and the guys were good friends of mine by then and I even wrote a few songs for them and sang back-up from time to time.

When Chuck's mom married a guy who owned a paint and body shop, our real hey-day started.

It began on weekends, with us meeting at Chuck's house, traveling to the paint and body shop after hours, hooking up two-deck boom box with the ability to dub and simultaneously record at the same time so we could layer other instruments on top of what we had done.

Of course, we never rehearsed anything. It was always straight to tape and if we fucked up, then we took it back, but more often than not, we left the fuck ups after several failed takes.

We sold these tapes to friends and family, most of which would listen to a few songs, toss the tape aside and never listen again, until it collected dust and was thrown away years later.

It's worth pointing out that I recorded all the scratching last at home on my own boom box which not only had it's own mix-mike dub-recording feature but a sliding volume nob. I would lay the tape deck on it's side, hook a cable up from my Dad's turntable (which he didn't want me doing and go to the point where he would unscrew the cartridge and hide it from me so I couldn't do it but I still found it and still did my thing) and with my make-shift turntable set, I would add the scratches, which were ALWAYS too loud, sometimes the loudest thing on the song. As if that wasn't enough, I sucked just as much as everyone else did at their own instruments. Well, actually, Jerry was a pretty damn-good drummer but we were not polished at that time.

This went on for several years until Chuck finally plunked some money down on a home four-track recorder, and then we really found our groove.

Eventually, Attitude gave way to solo projects and we had two four-tracks and drum machines and keyboards and I had real turntables and mixers and a sampler and things became much more focused and professional.
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